| Fall 1999 | ||
| Sep 29 | |
The Desperate Poetics of Electrochemistry Gail Wight, Artist, Mills College |
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| Oct 27 | |
Imagination and Meaning on the Internet Valery Grancher, Artist, Paris |
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| Nov 17 | |
The Best Animals are the Flat Animals The Best Space Is the Deep Space Diana Thater, Artist, Los Angeles, LA |
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| Dec 1 | |
The Performative Image: Agitation Toward OntologicalInquiry Gary Hill, Artist, Seattle, WA |
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| Spring 2000 | ||
| Jan 26 | |
Print is Flat and Code is Deep: Rethinking Signifiers in New Media Katherine Hayles, Prof. of English, UCLA |
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| Feb 16 | |
Signal or Noise? The Network Museum Steve Dietz, Director of New Media, Walker Art Center, MN |
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| Feb 19 | |
CRASH Symposium: Critical and Historic Issues in Net Art |
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| March 15 | |
The People vs. New Media Art Alex Galloway, Rhizome, NY |
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| May 3 | |
Armed Vision Jordan Crandall, Artist and Media Theorist, NY |
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Sponsors
Sponsored by UC Berkeley's Office of the Chancellor, College of Engineering Dean's Office, College of Engineering Interdisciplinary Studies Program, Pacific Film Archive, Townsend Center for the Humanities, and the Art Practice Department.
Curated by Ken Goldberg with Advisory Board
goldberg@ieor.berkeley.edu, or phone (510) 643-9565